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Us and Them

May 22, 2023 Get in character for a journey through the history of Method acting, a movement that transformed the art of screen performance forever.

Feb 17, 2023 Born and raised far from the centers of power in the movie industry, writer-director Glen Pitre began his career in the 1980s as a DIY filmmaker, showing his homemade productions to audiences in his native Louisiana. But when a powerful...

Jan 17, 2023 One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 3, 2023 A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.

Jun 22, 2022 The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.

Jun 21, 2022 Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

Apr 26, 2022 In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

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