The Criterion Collection
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
Essays
Jul 11, 2005 — Luchino Visconti’s adaptation of Fyodor Dostoyevsky’s short story balances realism and fantasy.
Essays
Nov 15, 2004 — Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.
Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....
Features
Sep 13, 2004 — This oblique strategy can be seen as a self-referential characterization of Slacker itself: it appears to have no structure, to be chaotic (a matter of random encounters), when, in fact, it has a very subtle, extremely well-crafted structure that makes...
Essays
Feb 23, 2004 — With his drama about a Sicilian bandit, Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his time.
Essays
Feb 16, 2004 — Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Apr 28, 2003 — François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.
Essays
Sep 9, 2002 — With her debut feature, Lynne Ramsay confirmed herself as one of the most distinct and important voices to emerge from the United Kingdom in recent years.