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The Experiment

Jan 10, 2019 Repertory Picks Tomorrow evening at 7, as one of the courses in its Dastardly Dinners series, the Indiana University Cinema will give moviegoers a chance to feast their eyes on Luis Buñuel’s 1962 The Exterminating Angel. One of the handful...

Aug 28, 2026 Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.

Feb 18, 2025 In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.

July Books

The Daily

Jul 22, 2021 Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.

Jun 10, 2019 The growing presence of unabashed queerness in contemporary culture makes the past seem comparatively drained of it. But it was always there. There’s often a queer history that lies beneath our accepted mainstream hetero narratives. When excavated, these histories can...

Nov 7, 2018 Over on the Criterion Channel on FilmStruck, we’ve always taken to heart that old adage about good things coming in small packages. Through our Short + Feature pairings, we’ve thrown the spotlight on some of the short films that have...

Apr 20, 2018 “Jiri Trnka didn’t craft his puppet-cartoon shorts and features merely to imitate life,” writes Michael Sragow for Film Comment. “His endlessly original and inventive movies incorporate life, or transcend it. Trnka insisted that he was ‘local,’ and drew many of...

Dec 19, 2017 While he was in town with Call Me by Your Name at the New York Film Festival in October, Luca Guadagnino stopped by our office to talk about inspirations, style, and dancing.

Nov 16, 2017 “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

Jul 18, 2017 With a weeklong run of our new restoration of Desert Hearts opening at the IFC Center in New York, we spoke with director Donna Deitch about this landmark of LGBT filmmaking.

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