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The Documentary

Three Go 3-D

Short Takes

Apr 19, 2010 Post-Avatar, it seems some of our favorite filmmakers have caught 3-D fever. Just in the past week, it’s been confirmed that Martin Scorsese, Wim Wenders, and Werner Herzog will soon be getting us to wear goggles. Scorsese’s excursion into the third...

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Sep 22, 2009 One enters any major film festival with hopes of discovering a budding auteur, a new voice from some previously unheard-from part of the world—a Julián Hernández or Corneliu Porumboiu or Bong Joon-ho. At this year’s Toronto International Film Festival, however,...

Feb 12, 2009 This week, French actor Jean Martin died at the age of eighty-six. Thogh he appeared in more than eighty films (including My Name Is Nobody and The Day of the Jackal), Martin is probably best remembered for his role as...

Oct 15, 2007 One of Spain’s most acclaimed and prolific directors, Carlos Saura emerged as an artist in the late 1950s under Franco’s dictatorship and immediately made his mark as an incisive, if necessarily allusive, social and political commentator.

Jul 9, 2007 Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

Dec 4, 2006 I had said that I was going to write about growing up with a projector in my attic, and Peter’s writing about home last week brought back some memories. Movies were cool. In the late sixties, my father would bring...

Jun 19, 2006 Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Mar 15, 2004 This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.

Jour de fete

Essays

Mar 11, 1991 The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.

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