Stars

Jul 11, 2019 — The great Italian actress worked with Truffaut, Fellini, Antonioni, Losey, Dassin, Bava, and Robert Wise.

Jul 11, 2019 — When we think of Ingrid Bergman, we may immediately call up images of her “you deserve this!” smile, or the indecision on her face in Casablanca (1942). There is a rare kind of suspense in watching Bergman’s face in flux...

Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

Jun 26, 2019 — The producer of our edition of Agnès Varda’s feminist musical explores the film’s roots in the women’s movement and how the director achieved its warm, playful tone.

Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.

Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...

Jun 10, 2019 — The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.

Jun 5, 2019 — No filmmaker blazed more trails than Dorothy Arzner. In 1928, after making a handful of silents, Arzner became the first woman to direct a Hollywood sound film (Manhattan Cocktail), and a decade later she joined the Directors Guild of America...

Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.

Jun 3, 2019 — A true cinematic innovator, British filmmaker Nicolas Roeg told stories on his own terms, challenging narrative conventions with his radically elliptical editing style, and regularly courting controversy by taking on transgressive material. The incomparable Roeg, who passed away last November...