The Criterion Collection
Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.
Dec 3, 2014 — “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...
Oct 21, 2014 — As breakup songs go, “Dreaming My Dreams with You,” written by country stalwart Allen Reynolds, is a tear-jerking doozy. It first appeared on the 1975 Waylon Jennings album Dreaming My Dreams. And while it’s been covered pretty frequently, by singers...
Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.
In Theaters
Apr 30, 2014 — This summer, experience the thrill of the Beatles’ deliriously entertaining cinematic breakthrough all over again. Courtesy of Janus Films, the landmark comedy-musical A Hard Day’s Night, directed by Richard Lester, is opening on July 4 in theaters across the country,...
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.
Features
Jul 19, 2012 — I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...
Essays
Jul 17, 2012 — Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...