No Time for Love

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Jan 27, 2026 — Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.

Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.

Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.

Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.

Nov 14, 2025 — This week: Buñuel revivals, the Rock Hudson centenary, and Mishima’s Japanese premiere.

Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.

Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.

Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.