Here Now

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.

Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”

Dec 10, 2018 — Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.

Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.

Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.

Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...