The Criterion Collection
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
The Daily
Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.
The Daily
Jul 22, 2022 — Films by Jordon Peele, Ethan Hawke, and Lucile Hadžihalilović arrive along with a series tracing the path of the Method.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
Essays
Jul 19, 2022 — Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.
Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.
The Daily
Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”
The Daily
Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
The Daily
Jun 17, 2022 — This week: Surrealism and cinema, a Cold War “travesty,” talking about Bruno, and walking in Hong Kong.