After Life

Feb 23, 2024 — Revivals of work by Raoul Peck and Jean-Pierre Bekolo and conversations with James Gray and Jodie Foster are among this week’s highlights.

Feb 21, 2024 — Huppert takes the lead in Hong Sangsoo’s A Traveler’s Needs and André Téchiné’s My New Friends.

Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Feb 15, 2024 — Ten Japanese family portraits will screen in New York over the next ten days.

Feb 2, 2024 — The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Jan 31, 2024 — MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.