The Criterion Collection
Jun 29, 2010 — Photography, the basis of cinema, is also the foundation of Jan Troell’s Everlasting Moments. The Swedish title of Troell’s feature, his fourteenth, translates as Maria Larsson’s Everlasting Moments, which alludes to the photographs taken by its lead character, images of...
Dec 5, 2005 — René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.
The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...
Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.
Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.
Nov 17, 2021 — Having won major prizes in Berlin and Cannes, the director has been talking openly about his background, influences, and working methods.
The Daily
Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.
Feb 10, 2021 — Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.
The Daily
Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.
Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...