The Criterion Collection
The actor talks about how Richard Linklater’s Slacker turned him on to independent cinema, praises the soundtrack for Paris, Texas, and selects a horror classic by George A. Romero.
The actor selects an American indie classic by Greg Mottola, talks about rediscovering Videodrome on the Criterion Channel, and selects favorites like How to Get Ahead in Advertising, My Life as a Dog, and Tootsie.
The actor selects classic Hollywood favorites starring Cary Grant, reminisces about working at the Silent Movie Theater in Los Angeles and talks about idolizing Bette Davis’s iconic performances.
The actor and director talks about what makes Fantastic Mr. Fox a household favorite, shares how Gina Prince-Bythewood inspired her to step behind the camera, and praises Diahann Carroll and her performance in Claudine.
The composer reflects on his profound experience working on Barry Jenkins’s The Underground Railroad, praises favorite scores by Bernard Herrmann and Zbigniew Preisner, and shares why La Jetée inspires him to think about cinema’s infinite possibilities.
The celebrated actors select favorite movies starring their friends Jason Schwartzman and Jane Fonda, regale us with stories about Omar Sharif and David Lynch, and share their love for films by Hal Ashby and David Lean.
The writer and director returns to the Criterion Closet, where he pays tribute to David Lynch, praises Mikey and Nicky as a perfect collaboration between a director and actors, and reminisces about watching Persona in Ingmar Bergman’s theater on Fårö...
The actor talks about falling in love with Some Like It Hot at a young age, praises Lili Taylor’s and River Phoenix’s tender performances in Dogfight, and shares the profound effect that Streetwise has had on her.
The actor and director talks about being influenced by cinematographer Gordon Willis, shares his affection for Peter Sellers’s comedy style, and selects films he’s excited to see for the first time, like Amores perros and Shampoo.
The writer, director, and actor returns to the Criterion Closet, where he shares how he and cinematographer Maceo Bishop studied documentaries like The War Room when making their new film The Smashing Machine, shouts out the singular performances in Carnal...