The Criterion Collection
Aug 31, 2017 — Guillermo del Toro’s The Shape of Water, premiering in Competition in Venice and screening as a Special Presentation in Toronto, is a “ravishing, eccentric auteur’s imagining, spilling artistry, empathy and sensuality from every open pore, [offering] more straight-up movie for...
Jul 24, 2017 — On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...
The Daily
Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...
The Daily
Jun 21, 2017 — At the Film Stage, Jordan Raup reports that Claire Denis will begin production on her science fiction feature High Life next month. Starring Robert Pattinson, Patricia Arquette, and Mia Goth, High Life will be Denis’s English-language debut. She’ll be working...
May 24, 2017 — “Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016,” writes Giovanni Marchini Camia at the Film Stage, where he notes that 24 Frames “was as good as finished” at the time of his passing....
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Interviews
Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.
Essays
Sep 26, 2011 — No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.