WHO

Oct 15, 2024 — This jolt of delicious weirdness from Japanese New Wave master Masahiro Shinoda is both a reverent salute to Kabuki and a self-consciously postmodern take on its traditions.

Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.

Oct 8, 2024 — An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.

Oct 8, 2024 — Telling a love story in three parts spanning more than twenty years, Jia offers a summing up before he turns a new page.

Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.

Oct 4, 2024 — The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.

Oct 3, 2024 — The winner of the top prize in San Sebastián, Serra’s first nonfiction feature screens at the New York Film Festival.

Sep 30, 2024 — Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.

Sep 27, 2024 — The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.

Sep 26, 2024 — Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.