The Criterion Collection
The Daily
Nov 19, 2024 — A pop star, psychics, and a punk-turned-priest are focus of this weekend’s series at the Museum of the Moving Image.
The Daily
Oct 16, 2024 — This year’s special anniversary edition will open with Malcolm Washington’s August Wilson adaptation, The Piano Lesson.
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
Oct 8, 2024 — An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.
The Daily
Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.
Essays
Sep 24, 2024 — A sceenwriter, novelist, and longtime friend of director Todd Solondz recalls the admiration he felt upon first seeing this audacious ensemble drama, which offers an unflinching, compassionate look at the pain and abjection of being human.
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Aug 29, 2024 — Beetlejuice Beetlejuice has some critics rolling their eyes, while others embrace his unique and newly reinvigorated vision.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.