The Criterion Collection
Jun 7, 2016 — Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.
Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Features
Jun 12, 2014 — The filmmaker’s latest offering at the film festival reaffirms the author’s faith in him.
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
Features
Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.