The Criterion Collection
In Theaters
Dec 21, 2017 — A season-long retrospective of Rainer Werner Fassbinder continues with a screening of his psychosexual drama The Bitter Tears of Petra von Kant.
Sneak Peeks
Oct 11, 2017 — In his final completed feature, Orson Welles reflects on making Othello and the enduring eminence of Shakespeare.
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.
On the Channel
Mar 27, 2017 — A master of rib-tickling dialogue and an innovator of dazzling narrative techniques, playwright-turned-filmmaker Sacha Guitry has long been revered by French movie lovers as an indispensable figure in the nation’s cinematic heritage, but his work has never received the level...
Sneak Peeks
Feb 16, 2017 — In his Palme d’Or–winning masterpiece The Tree of Wooden Clogs, Ermanno Olmi depicts both the hardship and the beauty of late nineteenth-century agrarian life in the Italian province of Bergamo, telling the story of four families that live and work...
Sneak Peeks
Sep 16, 2016 — Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.
Short Takes
Jul 14, 2016 — On what would have been the director’s ninety-eighth birthday, we revisit a selection of essays, photo galleries, and videos that explore his iconic oeuvre.
Jul 10, 2016 — The author, a filmmaker and film professor who cowrote a book on Abbas Kiarostami, remembers the late Iranian director.
Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...
May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.