The Criterion Collection
Essays
Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.
Jan 12, 2015 — The author remembers the late filmmaker.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
Features
Jun 27, 2011 — A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...
Jan 18, 2011 — In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.