The Guardian

Jul 11, 2017 — Let’s begin today with the listening and viewing tips, because New York Times film critic Manohla Dargis is Peter Labuza’s guest on The Cinephiliacs (85’38”). Among the topics discussed are “her childhood movie love of watching objects without inhibition and...

Jul 5, 2017 — Robert Pattinson is on the cover of the new issue of Film Comment and online we find a brief excerpt from editor Nicolas Rapold’s interview with the star of Josh and Benny Safdie’s Good Time.Amy Taubin describes what, for her,...

Jul 1, 2017 — Adrian Martin has made a discovery that definitely needs passing along here, the digital edition of L’Atalante, Revista de estudios cinematográficos, the esteemed biannual journal published in Valencia, Spain. Several of the most recent issues are also available in English....

Jun 29, 2017 — Dorothy B. Hughes’s 1947 novel In a Lonely Place, “about a World War II flyboy, now a serial rapist and murderer, would have violated just about every commandment in the Production Code,” had Nicholas Ray and screenwriter Andrew Solt stuck...

Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...

May 27, 2017 — “When French writer Delphine le Vigan published her book Based on a True Story in 2015, some critics dubbed it ‘a Hitchcockian novel,’” begins Jonathan Romney, writing for Screen. “It’s not surprising, then, that Roman Polanski’s adaptation is very Hitchcockian...

May 27, 2017 — “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishing fourth feature...

May 26, 2017 — “After a foray into relatively restrained period filmmaking in the recent, World War I-set Frantz, François Ozon is back to his old tricks—and really, who's complaining?” asks Jon Frosch in the Hollywood Reporter. “Premiering in competition at Cannes, the French...

May 25, 2017 — “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his argument. By contrast, his fiction films (My Joy,...

May 25, 2017 — In Tuesday’s dispatch to the Village Voice from the Cannes Film Festival, Bilge Ebiri wrote about one of the best films he’d seen so far, The Rider, “directed by Chloé Zhao (whom I interviewed). It follows a young rodeo cowboy...