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May 18, 2017 — “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...

May 18, 2017 — “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...

May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.

Apr 20, 2017 — Programmer Michael Sragow and former Film Society of Lincoln Center program director Richard Peña discuss the holy grail of cinephile TV series and the legendary figures it profiled.

Mar 23, 2017 — Repertory PicksThis Friday and Saturday, the Belcourt Theatre, in Nashville, Tennessee, will screen British filmmaker Alex Cox’s 1984 debut feature, Repo Man, as part of its weekly midnight movie program. Pulsing with the rhythms of Iggy Pop, Black Flag, and...

Mar 3, 2017 — Did You See This? In his latest Cinema ’67 Revisited column for Film Comment, Mark Harris looks back at the rapturous critical reception of Ingmar Bergman’s Persona upon its release, calling the film a monument “to a moment at which...

Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

Dec 19, 2016 — Over on the Criterion Channel, we’re bringing film school into your home with our monthly series Observations on Film Art. Hosted by esteemed film-studies scholars David Bordwell, Kristin Thompson, and Jeff Smith, who recently collaborated on the eleventh edition of...

Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.