Ten

Jan 23, 2019 — Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...

Jan 17, 2019 — SXSW presents a program of 102 features and episodics, and the Berlinale’s competition and Special lineups are now complete.

Jan 16, 2019 — Unquiet is the first of Linn Ullmann’s books to directly address her parents. Plus, the criticism of Rivette and Bazin, a radio campaign led by Welles, and more.

Jan 14, 2019 — MoMA’s festival of film preservation features Lubitsch, Akerman, Murnau, Lupino, and an eclectic array of rediscoveries.

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Jan 8, 2019 — “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 20, 2018 — New York launches an Iranian film festival and sends its Art of the Real series to Los Angeles.

Dec 20, 2018 — Repertory Picks Starting tomorrow, Janus Films will bring Marcel Pagnol’s The Baker’s Wife to New York’s Film Forum for a weeklong stay, before whisking the movie to select cities around the country in the New Year. With this slice of...

Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.