The Criterion Collection
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.
Features
May 13, 2015 — Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.
Apr 14, 2015 — Preston Sturges revealed a lot about himself and the movie business in this hilarious and socially committed comedy.
Feb 26, 2015 — The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.
Feb 19, 2015 — The scholar and producer talks about his experiences on the set of a film that changed his life.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.