The Criterion Collection
Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
The Daily
Nov 4, 2025 — The director of La commune and The War Game shook up viewers with dramatizations historical conflicts and imminent futures.
The Daily
Apr 8, 2021 — An eighty-year-old widow defies the engines of progress in Lemohang Jeremiah Mosese’s latest feature.
The Daily
Feb 7, 2020 — This week, we’re looking back on the work of Antonioni, Fellini, Cassavetes, and Mrinal Sen. Plus: Oscar talk!
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Jun 23, 2008 — The year 1950 marked a turning point in Anthony Mann’s career, the moment when he passed from the series of brilliant film-noir B movies that had established him to the westerns that made him a major figure. Mann released three...
Jan 5, 2006 — A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.