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Set It Off

Sep 29, 2022 This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

May 11, 2021 Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.

Mar 9, 2021 “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Jul 6, 2020 Kore-eda’s first feature shot outside of Japan also gives us the first pairing of Catherine Deneuve and Juliette Binoche.

Oct 4, 2019 Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.

Nov 29, 2018 The largest retrospective in the U.S. yet is on through mid-December.

May 16, 2018 Joachim Trier’s jury goes for a satire about a Portuguese soccer star.

Nov 22, 2017 We begin with the latest entry in Reverse Shot’s symposium on time, Chris Wisniewski’s, on Rainer Werner Fassbinder’s The Merchant of Four Seasons (1971). The focus here is on “a sequence that seems at first ordinary and unravels under scrutiny,...

Nov 21, 2017 Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Nov 24, 2015 In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

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