The Criterion Collection
Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
Nov 5, 2018 — With the gradual rollout of his two-part semi-musical, Wang is seeing his strongest reviews yet.
On the Channel
Nov 4, 2018 — The actor-director talks about the college film course that introduced him to some of the giants of world cinema, including Robert Bresson and Yasujiro Ozu.
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
Oct 22, 2018 — With her a capella take on the Rolling Stones’ “As Tears Go By,” the singer turns a brief moment in one of Godard’s most playful films into a reflection on loss.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Oct 2, 2018 — Performances There’s an irreducible reserve about Kristen Stewart, an appearance of not doing much on-screen, that I mistook for lack of talent when I first saw her mumbling into her shirt in the Twilight franchise. Still, playing Bella Swan, chastity...
The Daily
Sep 21, 2018 — This week’s round of five highlights begins with a new column and a new issue of Film Quarterly.