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On Blue

Jun 21, 2024 An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

April Books

The Daily

Apr 24, 2024 This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 18, 2024 As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.

Apr 10, 2024 Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Jan 30, 2024 A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

May 1, 2023 Start the week with the new Artforum, a groundbreaking film collective, and discussions of exciting new works.

Jan 27, 2023 This week brings a new issue of Seen, featuring Cauleen Smith; a conversation with Jia Zhangke; and a deep dive into Twin Peaks: The Return.

Jan 17, 2023 One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 9, 2023 The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

Rip This Joint

The Daily

Dec 2, 2022 We’re sorting through the Sight and Sound poll and reading about Paweł Łoziński, the Sankofa Collective, and the first films ever made.

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