No Good Men

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

Apr 11, 2018 — Before the Cannes Film Festival rolls out its main lineup tomorrow, there are a couple of items to see to. From the festival itself today, there’s this year’s poster, as mentioned earlier, as well as the list of eight films...

Mar 28, 2018 — Even if you won’t be anywhere near Ghent from today through Sunday, you’ll want to know about the Courtisane Festival. The program for this year’s edition alone will likely have you making mental notes on films to add to your...

Mar 12, 2018 — When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...

Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

Feb 5, 2018 — This year marks the 200th anniversary of the publication of Mary Shelley’s Frankenstein; or, The Modern Prometheus, the occasion for Jill Lepore’s outstanding piece in this week’s New Yorker: Frankenstein is four stories in one: an allegory, a fable, an...

Jan 26, 2018 — “I’m glad that I wasn’t familiar with the work of comedian and YouTube star Bo Burnham before seeing his directorial debut Eighth Grade,” begins the Village Voice’s Bilge Ebiri, “because otherwise I’m not sure how I would have initially received...

Dec 28, 2017 — Every year for eleven years now, at the height of list-making season, Kristin Thompson, David Bordwell, or both offer a welcome twist with an entry on the best films that have just turned ninety. This year, Thompson looks back on...

Dec 21, 2017 — The result of a tumultuous production, Orson Welles’s eccentric take on Othello infuses the play with a convulsive rhythm and disorienting sense of abstraction.

Nov 25, 2017 — New York. “It’s the Jacques Rivette movie for people who can’t stand Jacques Rivette movies—and yet no one else could’ve made it.” Michael Atkinson for the Village Voice: “La Belle Noiseuse (1991), now restored and rereleased in all its four-solid-hour...