The Criterion Collection
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
The Daily
Feb 18, 2018 — “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...
The Daily
Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...
The Daily
Feb 1, 2018 — The first half of the series Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures, organized by Dave Kehr, a curator in the Museum of Modern Art’s Department of Film in association with Scorsese’s Film Foundation and Paramount Pictures,...
The Daily
Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...
The Daily
Jan 16, 2018 — Today we’re opening with an item that bumps New York from its usual top spot in these “goings on” roundups, because the first four titles lined up for this year’s Berlin Critics’ Week (February 14 through 22) have been announced:...
The Daily
Dec 28, 2017 — Every year for eleven years now, at the height of list-making season, Kristin Thompson, David Bordwell, or both offer a welcome twist with an entry on the best films that have just turned ninety. This year, Thompson looks back on...
The Daily
Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...
The Daily
Dec 21, 2017 — The sixty-eighth Berlin International Film Festival, running from February 15 through 25, now has a fresh set of six posters designed by the Swiss agency Velvet. So far, we’ve seen first rounds of titles slated for the Competition and the...