Like It Never Was Before

Feb 14, 2024 — Portraits of Stanley Kubrick and Agnès Varda, a memoir from Ed Zwick, and a history of Blaxploitation are among the highlights.

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.

Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.

Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

Dec 19, 2023 — Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.

Dec 13, 2023 — Through the ages, some tales have spread their seeds like trees, creating forests of imagination. Fairy tales often have that quality. But I doubt that Carlo Collodi, the author of the 1883 novel Pinocchio, would like his story to be...

Dec 9, 2023 — This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.

Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Nov 30, 2023 — A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.