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Great World of Sound

Jan 24, 2023 Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jun 28, 2022 Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

May 19, 2021 For the last twenty years—until the pandemic broke my streak—I drove each fall to spend a week at the Toronto International Film Festival (TIFF). Before making the trip, I took care to avoid reading anything about the subjects, characters, or...

Jan 29, 2021 This week sees a new publication, a revived column, and countless hours of conversations about movies.

Many Happy Returns

The Daily

Nov 6, 2020 A new restoration of Joyce Chopra’s Smooth Talk, the return of Sophia Loren, supercops in the 1970s, and Costa-Gavras’s Z are on our minds this week.

Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Sep 30, 2019 Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.

Jun 18, 2019 In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.

Aug 7, 2018 Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Jan 12, 2018 Mark Freeman introduces this year’s Senses of Cinema World Poll, collecting over 120 lists “from Cannes to Wellington and New York to Paraguay,” adding that “this truly represents the incredible global reach and intense local engagement with the cinema. If...

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