The Criterion Collection
The Daily
Mar 21, 2022 — Weeks ahead of the lineup announcement, trade publications are making educated guesses.
The Daily
Mar 11, 2022 — This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Nov 23, 2021 — Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
The Daily
Nov 12, 2021 — A new podcast delves into the life and work of Chantal Akerman, and Reverse Shot opens a new symposium.
Essays
Oct 5, 2021 — Kaneto Shindo’s visceral erotic-horror film centers on a dangerous duo of women fighting to survive while men are away at war.