The Young Stranger

Jul 24, 2017 — “It seems, at first, like an impossible caper,” begins Jordan Hoffman, writing for the Guardian. “Can Steven Soderbergh bring something new to the heist genre after his outstanding Oceans trilogy? The answer, as always, is to have faith in the...

Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...

Jun 1, 2017 — Suffused with a quiet radiance, this Kazakh New Wave masterpiece grapples with cultural displacement through an allegorical tale of vengeance.

May 23, 2017 — “For ardent Hong Sangsoo fans, 2017 couldn’t be a more rewarding year,” writes Bradley Warren at the Playlist. “Not just because the South Korean filmmaker has three new films ready—the first, On the Beach at Night Alone, launched in Berlin—or...

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.

Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.

Feb 7, 2011 — Death looms over the films of Hirokazu Kore-eda. His first fiction feature, Maborosi (1995), is a quiet study of bereavement, about a young woman struggling to move on after her husband’s inexplicable suicide. In After Life (1998), a supernatural fable...

May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...