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The Vanished

Jan 21, 2002 A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.

Aug 13, 2020 First Person In 1960 The Apartment was playing at Cinema Rialto and was advertised with a loud red poster. I was too young to see it at the time, but I do recall overhearing my parents describing it to their...

Jul 25, 2024 During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.

Nov 3, 2025 Beginning on November 24, the Criterion Channel will exclusively premiere the long-awaited television series from visionary director Wong Kar Wai.

Jul 14, 2017 Catherine Grant tips us off to Leo Robson’s interview with David Thomson for the January 2017 issue of the White Review. “Hawks is still for me the essential American director of the golden age,” says Thomson, and the conversation’s an...

Sep 30, 2025 Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.

Feb 26, 2019 He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.

Feb 20, 2024 I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Oct 6, 2017 Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

May 11, 2021 Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.

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