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The Thief

Oct 17, 2025 This week brings a profile of Jafar Panahi and a conversation between Lucile Hadžihalilović and Gaspar Noé.

A Theater Near You

The Daily

Jun 10, 2025 At MoMA, curator David Schwartz celebrates seventeen landmark New York screening venues.

Feb 20, 2018 In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.

Feb 7, 2018 Last week, the SXSW Film Festival presented 132 features lined up for its 2018 edition running from March 9 through 18. Today, the festival announces that Wes Anderson’s Isle of Dogs will be this year’s Closing Night Film—and it’s added...

Jan 13, 2016 In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.

Jun 27, 2011 A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

Oct 26, 2010 A coming-of-age story about a clique of teenage schoolgirls who will never grow old and a demon spirit in the guise of a spinster who was never young, Nobuhiko Obayashi’s eye-poppingly demented, jaw-droppingly inventive House is 1970s Japanese pop culture...

Claude Berri, 1934–2009

Production Notes

Feb 24, 2009 On January 12, French cinema lost one of its truest enablers. Claude Berri was as well-known for his support of cinema, both financial and critical, as he was for his own filmmaking. The actor turned director-writer-producer made twenty-three films (the...

Aug 18, 2003 The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.

Jun 4, 2001 Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.

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