The Criterion Collection
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
The Daily
Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
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Jan 31, 2022 — What have the critics been saying about this year’s winners?
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Jan 24, 2022 — Two new books on the wildly inventive comedian and filmmaker make a complementary pair.
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Oct 20, 2021 — The late director of Canoa: A Shameful Memory aimed “to show people the real Mexico.”
The Daily
Aug 4, 2021 — The Weeknd, Alice Rohrwacher, and Andrew Haigh set up new series; plus updates on series coming from Park Chan-wook and Olivier Assayas.
The Daily
Mar 4, 2021 — Andreas Fontana’s Azor and Ramon and Silvan Zürcher’s The Girl and the Spider are competing in the Encounters program at the Berlinale.