The Criterion Collection
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Jan 22, 2026 — A singular achievement in Arab film history, Mohammed Lakhdar-Hamina’s sweeping political epic is a memorial to the lives lost in the struggle for Algerian independence.
Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
The Daily
Feb 3, 2026 — Her passing has sparked an outpouring of appreciation for the hilarious ways she found to cut loose.
Jun 30, 2025 — The Austin Film Society spotlights nine performances, each of them a unique declaration of independence.
The Daily
Jun 24, 2025 — As the New York Times rolls out the results of its new poll, we look to a few indicators as to where this might be headed.
The Daily
Oct 16, 2024 — This year’s special anniversary edition will open with Malcolm Washington’s August Wilson adaptation, The Piano Lesson.
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...