The Criterion Collection
Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
May 31, 2016 — With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.
Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Jul 30, 2014 — A friend and longtime scholar of Jacques Demy ruminates on the great director’s career, as well as the port hometown they shared—which would become a magical movie location.
Mar 25, 2014 — Silent comedy superstar Harold Lloyd played big dreamers; few were more determined to succeed than the college football player Harold Lamb.