The Criterion Collection
Jun 22, 2021 — This omnibus documentary captures the remarkable peculiarities of athletic striving in the 1972 Olympic Games in Munich.
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...
Mar 31, 2020 — Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...
The Daily
Mar 12, 2018 — As part of The Eyes of William Klein, the series running through tomorrow, the Quad presents Louis Malle’s Zazie dans le Métro (1960) tonight, the reason being, as Jon Dieringer points out at Screen Slate, Klein was “given the title...
The Daily
Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...
The Daily
Feb 2, 2018 — For nearly a decade now, the Big Ears Festival in Knoxville has been a low-key event of high significance to the world of music. Writing about the 2016 edition in the New York Times, Ben Ratliff noted that it “has...
The Daily
Jan 31, 2018 — The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...
The Daily
Jan 28, 2018 — The Sundance Film Festival has presented this year’s round of awards, and on that page you’ll find the descriptions that have tagged along with each title since the day it was announced as part of the lineup. Below, you’ll find...
The Daily
Jan 18, 2018 — To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...