The Criterion Collection
Essays
Jul 9, 2001 — With its dunderhead millionaires, erudite bums, effulgently dysfunctional families, and beneficent providence, My Man Godfrey is the Depression comedy par excellence. It is also, superficially at least, a movie about the Depression. A suicidal millionaire regains his zest for living...
Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...
The Daily
Apr 12, 2018 — Perhaps the most exciting “in the works” item of the past few days isn’t even about a film. Elaine May, seen above with her comedy partner Mike Nichols in the 1950s, “will star in the first Broadway production of Kenneth...
Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.
Sep 23, 2011 — Performances Lillian Gish once said, “I’ve never been in style, so I can never go out of style.” The silent-screen legend was being modest, but she was clearly on to something—something that Charles Laughton grasped when he cast her as...
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
The Daily
Apr 18, 2018 — Before we lost Milos Forman and Vittorio Taviani over the weekend, the Slovak Spectator reported that Juraj Herz, the Czech actor and director best known for his 1968 film The Cremator, had passed away at the age of eighty-three. Just...
Oct 20, 2008 — Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.
The Daily
Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).