The Criterion Collection
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.
The Daily
Jun 2, 2025 — More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.
The Daily
Jul 31, 2020 — This week we’re reading about Stanley Kubrick, Jean-Luc Godard, Luchino Visconti, Amy Seimetz, and the cinematic allure of fictional cults.
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Interviews
Jun 22, 2011 — Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...