The Criterion Collection
Features
Aug 21, 2019 — One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...
Mar 12, 2019 — By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...
The Daily
Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...
Essays
Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.
Jun 1, 2017 — Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...
May 11, 2015 — The poignancy of Leo McCarey's tearjerker is due as much to the director's scrupulous aesthetic choices as his unforgettable characters and story.
Essays
May 25, 2012 — The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Features
Aug 13, 2010 — The Docks of New York When John Grierson, the Scotsman whose absolute devotion to realism on film—he coined the word documentary and created the National Film Board of Canada—was asked how he’d enjoyed a screening of a now-lost Josef von Sternberg...
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.