The Criterion Collection
May 26, 2026 — Top prizes go to films by Cristian Mungiu, Andrey Zvyagintsev, Valeska Grisebach, Paweł Pawlikowski, and Los Javis.
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
The Daily
Nov 5, 2025 — It’ll be a packed four days of pre-Code comedy, drama, and spectacle.
The Daily
Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.
Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Jan 28, 2025 — We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.