The Criterion Collection
Sneak Peeks
Sep 16, 2018 — Olivier Assayas revived the spirit of the 1970s in one of cinema’s most evocative party sequences, which serves as the centerpiece of his acclaimed 1994 film.
The Daily
Aug 9, 2018 — The Academy’s announced three changes it hopes will ward off encroaching irrelevance.
On the Channel
Jul 27, 2018 — “We make each other alive; it doesn’t make a difference if it hurts,” Bergman once wrote to Ullmann—and that emotional intensity gave fuel to their extraordinary forty-year collaboration.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
May 24, 2018 — The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.
The Daily
Mar 20, 2018 — “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...
Short Takes
Jan 22, 2018 — Today, we celebrate Jim Jarmusch’s birthday with a look back at some of the writing we’ve published on his films over the years.
Jan 2, 2018 — John Hughes created the blueprint for the American teen movie with this pop-culture phenomenon, finding the humanity in an assortment of high school archetypes.
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.