The Criterion Collection
The Daily
Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.
Jan 21, 2008 — Married thrice and divorced from all of his wives at a time in Western culture when such marital fluctuation was rare, the playwright August Strindberg undoubtedly used his own dramatic life as a sourcebook.
Aug 24, 2010 — T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...
Dec 8, 2025 — BAM presents These Encounters of Theirs on 35 mm, and Pedro Costa screens and discusses movies in Copenhagen.
Mar 21, 2012 — The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...
The Daily
Jan 19, 2023 — Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
The Daily
Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.