The Criterion Collection
Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.
May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...
The Daily
May 6, 2020 — What if the Hollywood of the 1940s were less racist and homophobic than the America of the 1940s?
On the Channel
May 20, 2018 — A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.
The Daily
Dec 19, 2024 — One of history’s darkest chapters becomes a deeply personal experience in this adaptation of Colson Whitehead’s novel.
May 23, 2023 — In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...
Mar 22, 2011 — In 1985, deep into the twelve-year reign of the Reagan-Bush administration, Rob Epstein mounted a Hollywood stage with Richard Schmiechen, both men resplendent in tuxedos. Epstein was only twenty-nine years old. The director had just made history, with producer Schmiechen,...
Jan 25, 2011 — Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down. Moving effortlessly among comedies, melodramas, and thrillers, over a thirty-five-film, nearly thirty-year career,...