Sep 26, 2017 This collection of excerpts from interviews with Stan Brakhage illuminates the evolution of his philosophy of film through his career.

Sep 17, 2017 Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

Sep 14, 2017 New York. Tomorrow through Wednesday, the Metrograph presents new 35 mm prints of ten features and five shorts as the UCLA Festival of Preservation flies in from the left coast. In the Village Voice, Melissa Anderson previews Howard Alk’s “scalding...

Aug 13, 2017 Fifty years ago today, on August 13, 1967, Arthur Penn’s Bonnie and Clyde with Faye Dunaway and Warren Beatty opened in New York “at the Murray Hill and the Forum, on 47th Street and Broadway, right in the middle of...

Aug 11, 2017 “Mrs. Fang is a study of a face and a sober essay on death,” writes Rory O’Connor at the Film Stage. “It’s also about fishing. As profoundly moving as it is troubling, this new masterwork from documentary filmmaker Wang Bing...

Japan Cuts 2017

The Daily

Jul 13, 2017 “The spirit of Seijun Suzuki, patron saint of avant-garde Japanese filmmakers, presides over the Japan Society's 11th annual Japan Cuts program, a consistently exciting survey of innovative Nipponese cinema,” writes Simon Abrams at the top of his preview for RogerEbert.com....

May 30, 2017 Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.

Apr 27, 2017 Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Mar 16, 2017 A potent combination of faux-documentary and horror-film techniques, Felipe Cazals’s 1976 Canoa: A Shameful Memory reimagines the brutal killings that occurred in 1968 in San Miguel Canoa, where villagers attacked a group of visiting university employees who were alleged to...

Apr 21, 2016 Tomorrow, the Film Society of Lincoln Center begins its fascinating series An Early Clue to the New Direction: Queer Cinema Before Stonewall, organized by programmer at large Thomas Beard.

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