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Suddenly It’s Spring

Dec 1, 2009 In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

Jul 14, 2026 One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

Nov 5, 2024 As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.

Jul 20, 2023 The eye candy pops, the gags fly, and the debate over what selling out even means anymore rages.

Jan 23, 2020 The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Nov 21, 2019 Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...

Jul 10, 2018 The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.

Exile at Home

Features

Dec 18, 2016 Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

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