The Criterion Collection
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
The Daily
Nov 15, 2017 — “Two exhibitions on different sides of the Atlantic—Marlene Dietrich: Dressed for the Image at the National Portrait Gallery in Washington, through April 15; and Obsession Marlene at the Maison Européenne de la Photographie (MEP) in Paris through Jan. 7—explore how...
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...
Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.
Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.