Mar 17, 2026 In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

Mar 12, 2026 A selection of fine writing on this year’s Academy Award nominees.

Look Who’s Back

The Daily

Mar 6, 2026 Jonathan Rosenbaum returns to the Reader, there’s a new Cineaste, plus: Hiroshi Shimizu, John Akomfrah, and Robert Vas.

Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

February Books

The Daily

Feb 25, 2026 A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.

Feb 19, 2026 In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”

Feb 18, 2026 Among this month’s highlights are a celebration of VHS and how it revolutionized film culture, a spotlight on the Romanian New Wave, and a retrospective of pioneering queer filmmaker Monika Treut.

Indie Dreams

The Daily

Feb 17, 2026 Clint Bentley’s Train Dreams was the big winner at this year’s Film Independent Spirit Awards.

Feb 11, 2026 Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.

Feb 2, 2026 One of the most influential composers of his generation, Max Richter is known for his ability to seamlessly blend traditional orchestrations with modern electronic elements. Among the more than fifty projects that he has scored are films by Denis Villeneuve,...

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