The Criterion Collection
Jun 30, 2008 — The novelist Mishima Yukio stepped behind the camera to adapt his own short story, which depicts the act of seppuku as a thing of beauty.
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.
Essays
Oct 6, 2007 — In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.
Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
Essays
May 26, 2003 — Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.
Essays
Oct 12, 1987 — Akira Kurosawa’s thrilling Cinemascope epic is set squarely within the traditions of the Japanese film genre known as the “Chambara.”
The Daily
Feb 24, 2025 — Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.